Some
fantasy is certainly based on mediaeval Europe, from William Morris to George
R. R. Martin, but it's only one of many models that traditional fantasy authors
have used (though it's undeniable that most have been centred on Europe or the
Middle East).
Tolkien
is often cited as an author who uses a mediaeval model, but in fact there's
very little mediaeval, as usually understood, in Lord of the Rings. The Shire is an idealised version of 19th
century England without guns; Rohan is early Anglo-Saxon; the Dwarves are
ancient Norse; Gondor has a distinctly Babylonian feel, although I suspect
Tolkien was going for Solomon's Israel; and some of the other cultures, such as
Lorien, have no real-world model.
Similarly,
most of the pulp fantasy of the 30s and 40s, such as the Conan stories, tend to
be set in a mashed-up imagining of the classical world and the pre-classical
Middle East. Fafhrd and the Gray Mouser's environment, on the other hand, had a
lot in common with the Renaissance Mediterranean. And so on. Some mediaeval
influence was there, but it was only one type of setting among many.
The
problem seems to be that it's often assumed any time before gunpowder is
mediaeval, but really the term only refers to a few hundred years (for part of
which gunpowder was in use) on one of the world's smallest continents. To give
some sense of perspective, besides Europe, civilisation has existed (before
modern colonisation) in Asia, Africa, North America and South America**, and
the earliest known civilisation (i.e. people living in a city) was over 11,000
years ago in the town later known as Jericho.
In
reality, the Middle Ages (also known as the mediaeval period) didn't exist. It
was a sneering term coined in the Renaissance to dismiss western Europe between
the fallen of the classical world (good) and the birth of the new age (nearly
as good). In the same way, the sometimes exquisite art and architecture of the
period was described as Gothic, implying it was the work of barbarians.
The
period the Renaissance scholars thus consigned to the scrapheap actually covers
many different cultures, over both its timespan and its geographical
distribution, although there are certain generalisations that can be made.
There
isn't even any clear agreement as to when it started or finished. To some
extent, of course, all historical periods are just convenient places for
historians to start and finish their books. Some periods have more obvious
beginnings and ends, but it's rare to have such a significant change that
people living at the time would notice it.
My
own view, with all possible disclaimers in place, is that the Middle Ages (to
the extent that they existed at all) started in 732 AD*** and finished in 1453.
On a Tuesday. At teatime.
Everyone
knows that the Roman Empire fell in the 5th century. Except that it didn't. The
Roman Empire had been changing and evolving throughout its lifetime, most
obviously after the reforms of Diocletian (right) in the late 3rd century, and by this
time it consisted mainly of barbarian warlords controlling their own territories
and paying nominal fealty to the emperor. When the last western emperor was
deposed in 476, they just carried on the same way, except that they paid even
more nominal fealty to the eastern emperor in Constantinople, where the Roman
Empire continued till the 15th century.
For
the most part, the barbarian warlords were proud of being part of the empire —
they fought the legions internally, as when the Emperor Honorius double-crossed
the Visigoths and they besieged Rome, but they'd no wish to tear it down. Well,
except for the Huns, but they were a rival empire, not a ravening horde.
Nothing
substantially changed. Civilisation and culture had been declining through the
later part of the imperium and continued to do so, but western Europe didn't
really move on to anything new till the Frankish leader Charles Martel (below) smashed
the Moors at the Battle of Poitiers in 732.
There
are two reasons why this was crucial. For one thing, although Charles was never
actually king of the Franks, his son was crowned and his grandson became
Charles the Great — Charlemagne. By the time the Carolingian dynasty had played
out, only a few generations later, the map of Europe had changed, the first
signs of our modern nations were stirring, and the concept of empire had been
updated.
The
second reason was the reason why Charles Martel had won the battle: a radical
new type of fighting-man he'd copied from the Byzantine Empire, called the
knight.
Aristocrats
in older civilisations are sometimes described as knights, but this is
retrospective. The knight as we know him first arose in Persia, due to the
introduction of stirrups, which made heavy cavalry possible for the first time.
Unfortunately, the equipment and, in particular, the great war-horses were
expensive to keep up. The Persians solved the problem by imposing crippling taxes
on the cities, with the result that, when the Arabs invaded, the cities opened
their gates and went over to a more reasonable enemy.
The
Byzantines, learning from this, came up with a new idea: to give each knight a
parcel of land and let him pay his own way. It was this concept Charles
adopted, and so the feudal system was born.
The
feudal system was, if anything was, the central institution of the Middle Ages,
and any fantasy setting that doesn't have it can't be described as mediaeval.
In reality, it was two separate but complementary systems. One was a contract the
king made with his nobles and knights, whereby he granted them land and they
undertook to fight for him when called on. In fact, many knights were more
interested in running their estates, and it became increasingly common during
the period for knights to pay money in lieu of service, which the king would
use to hire mercenaries.
The
other, which had existed since the later Roman period, was manorial serfdom.
Serfs were distinct from slaves in that, though they weren't free to leave or
refuse to work, they belonged to a manor, not to a person. They had rights,
too, although that varied considerably from kingdom to kingdom. English serfs
tended to have most rights. The feudal system wasn't used in England till after
1066, and many of the people's ancestral rights were restored a few decades
later. Serfs in other kingdoms were usually a lot worse off, but the lord of
the manor didn't legally have power of life or death over them. Though the
question was whether anybody bothered with the law.
And
what about the end of the Middle Ages? 1453 was the year that Constantinople, the
last remnant of the Roman Empire, fell to the Turks. The immediate significance
was that many scholars and artists fled to the west, fuelling the already
growing Renaissance in learning and the arts.
In
fact, the Renaissance wasn't a sudden development, and the Middle Ages weren't
quite as bleak a period for learning as they're often painted, although certainly
a low point. Knowledge had been seeping in, especially from the Islamic world,
at that time the most culturally advanced civilisation in the west. Art
certainly took a huge step forward in the Renaissance, but it's been suggested
that the biggest academic change was that they started following Plato instead
of Aristotle.
Besides
the Renaissance, though, the mid-15th century marks a point where most of the
characteristics of the age that followed were already being established.
Gunpowder had come to stay and was making the transition from field guns to
hand guns, rendering knights obsolete. Gutenberg was setting up his printing
press in Mainz, and the voyages of discovery were well under way, with the
Portuguese venturing down the African coast en route to India, leading the
Spanish eventually to try another direction.
Social
mobility was growing, too, as was religious dissent. Neither were anything like
as absent from the Middle Ages as is often assumed, but both increased
immensely after the Black Death. The mediaeval Church was either divided or
powerless for much of the period, and there'd been radical preachers from at
least the 12th century saying essentially the same as Luther did four hundred
years later. By the 15th century, religious movements led by Wycliffe, Ball,
Huss and many others became bigger and better organised. Luther was just the most
successful of these.
There
had been towns and cities throughout the Middle Ages, and industries had
flourished there. It wasn't easy to escape from serfdom, except by going into
the Church, but those who did had the chance of getting rich. Again, after the
Black Death the feudal restraints became untenable, due to the shortage of
manpower making labour a marketable commodity. The powers that be fought a long
rearguard action against change, but it was becoming inevitable.
The
Middle Ages were a long and varied period, even leaving out everything that was
happening outside western Europe, and almost everything changed in their course.
The armour worn by knights, for instance, went from ring-mail sewn onto leather
to the familiar suits of plate armour (which were not too heavy to manoeuvre in), driven by changing weapon
technology.
At
any given time, none of the typical mediaeval institution were present
everywhere, and some areas — Scandinavia, for instance — were barely affected
till very late in the period.
So,
if you want to create a fantasy setting "based on the mediaeval
period", by all means do — you'll be in good company — but decide what you
actually mean by that, and do plenty of research on the specific country and
era that interests you. On the other hand, if all you want is for your hero to
wield a sword or use a bow and arrow, you have an entire world and eleven
thousand years of civilisation to choose your model.
** Pre-settlement
Australia can't really be described as civilised, though that doesn't make its
cultures any less rich and fascinating.
*** Yes, I use BC and
AD, which have served perfectly well for the past 1500 years. Get over it.
Nice piece. I won't even give you grief for BC and AD ;) (actually, I probably wouldn't have noticed).
ReplyDeleteIt's kind of odd how there have been more reviewers lately who ruthlessly snipe at fantasy that mixes and matches elements from different eras too, even if it works from the story or makes internal sense. Seriously, they have nothing better to do than snipe about people having pockets or long pants in worlds without gunpowder.
Bilbo Baggins had pocketsesss.
Very interesting read.
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